Pete has asked a very valid question via stupidTwittergoddamnit: what is the next facebook that everyone's parents aren't on? Although neither of us would ever post anything to facebook that wasn't for general consumption, and both of us keep our pages private anyway, it's still mildly troubling that when a friend posts something profoundly stupid or grotesque, the older adults in my life can just bop on over to my page and check it out. Perhaps I shouldn't have friended them, but how cruel would it be to say to your mother, the woman who gave you life, "No, I'm worried you'll find my friends' fart jokes offensive. Or asinine. And then you won't want me to be friends with them." Okay, so this is not a literal issue for me. My friends don't tell fart jokes (at least not on facebook) and my mom wouldn't care (or notice) if they did. She has better things to do with her time and is a fully licensed and bonded member of the On-Line Community. But I think about other people's moms. If I comment on someone's picture that looks like they're getting a bj from a pirate statue, will their mom read it and think, "Oh my lands! mah baaaaby!" (All other people's moms sound like southern ladies from old Bugs Bunny cartoons in my head.)
Pete thinks they should just be generationally separated somehow. Maybe by reunion decade. All the people between grad and 10 years can see each other, but not those between 10 and 20. Or if you have kids who are old enough to understand what facebook is. My 15-year old cousin friended everyone in the family and we're all weirded out by it. Not because he isn't great (he is!), but because we lead completely different, non-intersecting-except-that-we're-related-and-see-each-other-at-holidays lives. I'm not in high school. He's not pondering how to advance his career, buy a house and start a family. It doesn't mean I don't love him or that I'm not interested in what he's up to; it just means I don't want to see his quiz results in my news feed (but which muppet is he?? and how does he even know what a muppet is! Jim Henson had been dead for almost four years by the time he was born!) and I don't want him to see my comments on people's crap on his (I guess I'm a balloon full of mayonnaise? whatever that means; I wanted to be a chair).
The thing is, facebook is the It thing right now, but remember when MySpace was all the rage? I kept hearing about it, but looking at one of those things feels like being hit in the face with epilepsy, so I was never personally interested. And now all the parents are getting into stupidTwittergoddamnit, so that we can all know when they've eaten a sandwich or if it's hot today or whatever it is that people tweet about. (When I investigated stupidTwittergoddamnit in grad school, lo these many (3) years ago, it seemed like all the posts were "I'm eating a ham sandwich" or "Home from work. TGIF, lol!" I have not seen any convincing evidence that things have changed much since then. And yes, I've seen Shaq's feed.) But that too shall pass. The truth of the matter is, in my opinion, our parents are always going to join new social networking stuff online because we'll always talk about it. Or people they work with will.
Ultimately, the best policy is the one drilled into you in kindergarten: If you don't have anything nice to say, don't say anything at all. The internet is not the free-for-all, anything-goes, anonymity that many would like to believe it is. Everything can be traced back to its progenitor (or 4-Chan, but those are often one and the same) and eventually that fat guy at work is going to find out you refer to him as Muffin Stuffer "in your facebook"; your dad's brother-in-law is going to stumble upon that picture of him tripping over his own ridiculous lawn ornament on Fail Blog; and your grandmother is going to be horrified to discover that you're an atheist. Typing without thinking, editing, carefully weighing each potential misunderstanding, profits no one, and yet everyone does it everyday. Me, I'm trying to keep putting my foot in my mouth the old-fashioned way, by not thinking before I speak. (Yes, a superior at work actually said to me yesterday, "That's Dr. Dude to you," and for that, I thank her. It's good to be reminded that being friendly, that liking someone professionally, does not mean you're friends. Not in the fullest sense of the word, anyway.)
Friday, July 31, 2009
Sunday, July 19, 2009
Cultral Tropes: Riding in Vehicles
On our way home from dinner tonight, Pete and I saw this great little MG convertible containing a guy and (probably) his son. It occurred to me that I don't think I've ever actually ridden in a convertible. I feel like I have. I've certainly seen enough of them and experienced it vicariously through TV and movies that this personal oversight has gone unmarked. That got me started on thinking about how many other vehicle-related cultural tropes there are that you might not actually ever experience without feeling any personal lack for not having done so. I'm going to start a list here of the ones I can think of. Maybe you have additions? How many of these things have you done? Have you ever thought, "Man, I'd really like to do that someday!" about any of them, or are these the kinds of things that no one ever really feels like they're missing out on? Here is my list. I've put an asterisk before the one's I've done.
- *Drive in general
- *Ride as a passenger in general
- Ride in a convertible
- *Ride in the back of a pick-up truck (in the bed)
- *Ride in a limo
- *Ride in a taxi in general
- *Ride in a yellow cab in New York
- *Ride in an old black taxi in London
- *Be driven in a town car
- Ride in an ATV
- Ride a motorcycle
- Ride a scooter/moped
- *Ride a bicycle
- Ride a tandem bicycle
- Ride in a car with your feet out the window (My mom has a terrible story about someone doing this that results in a broken leg, so I could never bring myself to do it.)
- *Ride a city bus
- *Ride the subway in any city
- Ride the subway in New York
- *Take a San Francisco trolley
- Ride in the Portland tram (gondola? what is that thing called again?)
- *Ride in a funicular
- Ride a Swiss gondola (the mountain kind)
- *Take a train in the US
- *Take a train in Europe
- Ride a train from one state to another
- *Ride a train from one country to another
- *Sleep in the sleeping car of a train
- Take the Trans-Siberian railroad
- Take the Orient Express (Can you even do this anymore?)
- *Drive from one state to another (Oregon to Washington doesn't count, Oregonians. And Virginia/Maryland/DC doesn't count, DC-area people.)
- *Drive across the US
- *Drive across a country other than the US
- *Drive between countries
- Drive between countries other than the US and Canada
- *Ride a ferry
- *Drive your car onto/off of a ferry
- Take a cruise
- *Canoe
- Kayak
- Whitewater raft
- Ride in a speedboat (Maybe? I don't think so, but I'm not sure)
- *Ride in a rowboat
- Ride in a Dragonboat
- Ride in a sailboat
- Ride in a Venetian gondola (Had the opportunity; couldn't bring ourselves to do it)
- *Take the Sternwheeler
- Ride in a Mississippi riverboat
Monday, July 06, 2009
An Open Letter to the Loud Engine Dickwads Who Drive Past My House
Dear Dickwads,
Okay, I get it, you have small penes. But there are many quieter alternatives to an unmuffled exhaust system for letting everyone know that. For instance, you could just walk around pantsless wearing a t-shirt that reads, "Hey everyone, I've got a small penis!" Or, if that's too direct for you, what about silk shirts open to the navel so that everyone can see your copious chest hair and gold medallions? Gold medallions + chest hair + unbuttoned silk shirt = small penis. That is math anyone can do. Another idea is to join a glamrock Toby Keith cover band. See? I'm full of ideas here and all of them are quieter than your goddamned engines!
The thing is, when you drive by I can't hear my husband speak, I can't hear the TV or the radio, I can't hear myself think. Sure, I know you have a small penis (your obvious goal in all of this), but I can't, in point of fact, see you because - and this is crucial - I'm inside my house. So you have not actually achieved your goal at all! I know someone has a small penis, but it could be your neighbor, Silk Shirt Steve. Or any of your biker buddies, or the guys in your Assholes of America Car Club. See? The pantsless thing would work way better! I mean, I can’t see you when I’m in my living room trying to watch Miss Marple on OPB anyway. So there’s no need to alert me to the passing-by of a truly tiny John Thomas. But if you did the pantsless thing, or the cover band thing (I do live next to a live music venue!), the laughter of the people who could see you would alert me and make me come to the window. Then, voilá! You would achieve your goal of me knowing about your less than mighty member!
In conclusion: GET A GODDAMNED MUFFLER, ASSHOLES!
With ire and lip-curling, homicidal frustration,
Sydney
PS Maybe check the comments section for other ideas as to how you could more quietly share your little longfellow with the world. I have found the people who read my blog to be most helpful in all respects.
Okay, I get it, you have small penes. But there are many quieter alternatives to an unmuffled exhaust system for letting everyone know that. For instance, you could just walk around pantsless wearing a t-shirt that reads, "Hey everyone, I've got a small penis!" Or, if that's too direct for you, what about silk shirts open to the navel so that everyone can see your copious chest hair and gold medallions? Gold medallions + chest hair + unbuttoned silk shirt = small penis. That is math anyone can do. Another idea is to join a glamrock Toby Keith cover band. See? I'm full of ideas here and all of them are quieter than your goddamned engines!
The thing is, when you drive by I can't hear my husband speak, I can't hear the TV or the radio, I can't hear myself think. Sure, I know you have a small penis (your obvious goal in all of this), but I can't, in point of fact, see you because - and this is crucial - I'm inside my house. So you have not actually achieved your goal at all! I know someone has a small penis, but it could be your neighbor, Silk Shirt Steve. Or any of your biker buddies, or the guys in your Assholes of America Car Club. See? The pantsless thing would work way better! I mean, I can’t see you when I’m in my living room trying to watch Miss Marple on OPB anyway. So there’s no need to alert me to the passing-by of a truly tiny John Thomas. But if you did the pantsless thing, or the cover band thing (I do live next to a live music venue!), the laughter of the people who could see you would alert me and make me come to the window. Then, voilá! You would achieve your goal of me knowing about your less than mighty member!
In conclusion: GET A GODDAMNED MUFFLER, ASSHOLES!
With ire and lip-curling, homicidal frustration,
Sydney
PS Maybe check the comments section for other ideas as to how you could more quietly share your little longfellow with the world. I have found the people who read my blog to be most helpful in all respects.
Sunday, June 28, 2009
Blogging from my new phone!
Really I just want to see if this works. I have to say though, typing on the qwerty keyboard with my two thumbs makes me feel like one of the cool kids! Seriously, I'm pretty sure I am now both smarter and more attractive for using the internets with my thumbs. And I'm sure I look younger, and not that I wanted to look any younger, mind you. But I've just been notified that it's two on the morning, so I'm going to bed. TAH DAH!!
Wednesday, June 17, 2009
How did this ever sell beer?
Spuds McKenzie.
Evidence:
This one in particular:
And this exists. Seriously. I cannot believe my eyes, but this exists:
Alright, discuss.
Evidence:
This one in particular:
And this exists. Seriously. I cannot believe my eyes, but this exists:
Alright, discuss.
Labels:
bud light,
commercials,
dogs,
what the hell bud light
"It's your f-ing duty, so just buy a GM already. Jesus!"
I know I'm a little behind on the times with this, and I've been meaning to write about it for a while, but I've been busy and haven't found the time. Until today! Because I'm home sick, and I'm bored and can't watch the TV because it is babysitting our niece!
Have you seen the GM rally cap ad? If not, here you go:
So. Right. I think it's just awful. Insulting, really.
Nope, sorry: upon a quick check of any reference anywhere, we have never had those things, so a "come back" is setting the bar kind of low.
Huh? Oh, you meant that whole "come back" thing. Right. So, um, how will thinking differently get us to this to the low bar you've set? It seems like "thinking samely" would be a better way to get back to where you were a decade ago.
I'm going to skip over the next phrase for a moment to comment on the final sentence of the commercial (before they tell you to visit their website), but don't worry, I'll come back to it. (Ha! See what I did there?) Telling people "it's time to come back" implies that they were GM customers and left for whatever reason, but that those reasons are moot because they evidently signed some kind of agreement that after a certain amount of time, they would return to GMs cold, steel bosom. It's got this whole paternalistic vibe to it that, while appropriate for calling your kids in at night ("Kids! It's time for dinner! You have to come in, now!"), is not really appropriate for appealing to potential customers.
And now back to the phrase, "It's time to rally."
I guess the paternalism is really the core of what bothers me here. GM seems to believe that it has the right to tell you when to buy its vehicles and that it has simply held back in exercising that right because up until now, the economy was strong. They aren't saying, "These new models are totally awesome and address any, let alone all, of your concerns." They're saying, "Okay kids, it's time to suck it up! You have to buy a GM now!" And they're telling you that somehow this is going to fix America. That buying a GM is going to... what? Make us what we were? No, just make GM what it was. Kind of.
Finally, the whole rally cap thing strikes me as a misjudgement. If I understand the concept of the rally cap correctly, it's when fans turn their ball caps inside out if their team is losing near the end of the game. It's a show of support where there's nothing else you can do. (It's also another example of Magical Thinking in baseball, like the curse on the Cubs, but that is neither here nor there. I just think it's funny that baseball has more superstitions than a 17th century Welsh farmer.) So here is GM's basic thesis, in SAT syllogism format, as far as I can understand it.
The only things that are new are the "payment protection" plan (which also implies that you're likely to lose your job, making it unclear why you should be encouraging people to add another payment to their monthly bills) and the mythical "value protection" plan. I mean, whose to say in five years that they didn't do their damnedest to protect the retail value of your car, and they did, they really did, but gosh, how could they have known car values would drop by half, but they saved you some of that, so you're really only losing 40%, aren't they great?
What are your thoughts? Did this strike you as ridiculous as well? Were you insulted? Do you think anyone heard this message and went out and bought a GM?
Have you seen the GM rally cap ad? If not, here you go:
So. Right. I think it's just awful. Insulting, really.
"You know what America needs right now?"Yes, in fact, yes I do. America needs equal pay for equal work. America needs health care coverage for all Americans. America needs her troops back home and getting the benefits they were promised and deserve. American needs her people to stop buying on credit and to learn to economize. America needs to educate all... What now? I'm sorry, what was that?
"America needs a come back."Um, okay. I guess that's kind of the same thing, I mean, assuming we had all those things before the most recent economic crisis.
Nope, sorry: upon a quick check of any reference anywhere, we have never had those things, so a "come back" is setting the bar kind of low.
"Because we can do this, if we all start thinking differently."Yeah, that's true! We can get this country all the things her citizens need and it will need to start with thinking differently!
Huh? Oh, you meant that whole "come back" thing. Right. So, um, how will thinking differently get us to this to the low bar you've set? It seems like "thinking samely" would be a better way to get back to where you were a decade ago.
"At GM, we're reinventing the entire company, starting with the ownership experience."That is a great idea! Yes, make owning a GM like owning a better, more reliable car. Wait, can you just make a better, more reliable car instead?
"Introducing the Total Confidence Plan. It starts with up to nine months of payment protection. Lose your job? We'll make your payments, up to five hundred a month."Okay, this seems like a nice thing to do, but is based on anything? What is the average length of time someone is out of a job these days? Will 9 months cover you? And what's the catch: do you have to make payments for 9 additional months once you get a new job? Also: why are you encouraging people to buy a new car with $500/month payments in this economy?? That just seems irresponsible.
"Then something you've never seen before: vehicle value protection. When you buy a new car, we'll help protect it's retail value at trade in time."Again, unless you can make it be Not A GM, I don't see how this is possible. I assume it's because you'd be buying another GM. But doesn't that seem like blackmail? Or at least coercion?
"It also comes with our fully-backed, five-year/100,000 mile powertrain warranty, and the safety and security of On-Star, standard."I'm just gonna go ahead and assume everyone hears "And believe us, you're gonna need it" after "warranty". On-Star just seems like bells and whistles to distract from the major faults inherent in any recent GM. And just as an aside: I have always wondered about the phrase, "fully-backed powertrain warranty." 1) Are you ever offered a "partially-backed" warranty? 2) Is it just on your powertrain? I assume that's something to do with the transmission. Or is it a PowerTrain warranty, like, it's as powerful as a train?
"It's time to reinvent, it's time to rally. It's time to come back with the total confidence plan."Okay, where is the reinvention? You're still selling GMs. You have not once said that they will be of better quality, more reliable, better looking. Will they get better mileage? Will they have lower emissions? Will they buy you a puppy? You can't just point at a thing and say, "Ah, haha, I hereby reinvent this! See, it's reinvented!" It's not a performative, like pronouncing two people man and wife.
I'm going to skip over the next phrase for a moment to comment on the final sentence of the commercial (before they tell you to visit their website), but don't worry, I'll come back to it. (Ha! See what I did there?) Telling people "it's time to come back" implies that they were GM customers and left for whatever reason, but that those reasons are moot because they evidently signed some kind of agreement that after a certain amount of time, they would return to GMs cold, steel bosom. It's got this whole paternalistic vibe to it that, while appropriate for calling your kids in at night ("Kids! It's time for dinner! You have to come in, now!"), is not really appropriate for appealing to potential customers.
And now back to the phrase, "It's time to rally."
I guess the paternalism is really the core of what bothers me here. GM seems to believe that it has the right to tell you when to buy its vehicles and that it has simply held back in exercising that right because up until now, the economy was strong. They aren't saying, "These new models are totally awesome and address any, let alone all, of your concerns." They're saying, "Okay kids, it's time to suck it up! You have to buy a GM now!" And they're telling you that somehow this is going to fix America. That buying a GM is going to... what? Make us what we were? No, just make GM what it was. Kind of.
Finally, the whole rally cap thing strikes me as a misjudgement. If I understand the concept of the rally cap correctly, it's when fans turn their ball caps inside out if their team is losing near the end of the game. It's a show of support where there's nothing else you can do. (It's also another example of Magical Thinking in baseball, like the curse on the Cubs, but that is neither here nor there. I just think it's funny that baseball has more superstitions than a 17th century Welsh farmer.) So here is GM's basic thesis, in SAT syllogism format, as far as I can understand it.
Rally cap : Baseball game outcome :: Buying a GM : Fixing the economyIt implies that the only Americans who are cheering for the home team are those who are buying a GM. It implies that the average American cannot effect change in their country so they might as well give up on anything more significant than a symbolic gesture. It implies that GM has the right to make demands of you, that GM is the sole arbitrator of what is or is not American, and that like growing a Victory Garden in WWII, buying a GM in 2009 is a patriotic duty. And they're not going to offer you a goddamn thing to make it worth your while. 5 year/100,000 mile warranties and On Star are old hat; GM's been slapping those on their cars for years now.
The only things that are new are the "payment protection" plan (which also implies that you're likely to lose your job, making it unclear why you should be encouraging people to add another payment to their monthly bills) and the mythical "value protection" plan. I mean, whose to say in five years that they didn't do their damnedest to protect the retail value of your car, and they did, they really did, but gosh, how could they have known car values would drop by half, but they saved you some of that, so you're really only losing 40%, aren't they great?
What are your thoughts? Did this strike you as ridiculous as well? Were you insulted? Do you think anyone heard this message and went out and bought a GM?
Saturday, May 23, 2009
Sydney Makes Things Up About Rebecca Haarlow (9)
Rebecca Haarlow is spending the off-season working on her soon-to-be-published, sure-to-be-a-best-seller academic tome, "1,001 Mopboy Nicknames and Their Origins."
Thursday, May 21, 2009
Computer Nerds: Help My RSS Feed
Or the Portland Tribune. Whichever. Here is my brilliant idea that is possibly impossible and probably tedious. I subscribe to the Trib's RSS feed through NetNewsWire (it's a reader!). Every time they update a story (like change a misspelled word, add missing punctuation, add "alleged" between phrases like "a Tigard Man wanted for the" and "a Gresham Man wanted for the" and words like "murder" and "assault", etc.), I get a new item in my feed. I would like, when I read the most recent version of the story, for my reader to mark all prior versions as read. Either that or could someone send a tutorial to the Trib's web guy on how to edit stories before posting them. Or how to update an old post without creating a new one.
THAT IS ALL.
Thank you for your time.
Haha- did this edit just come up as a new item in a news feed? If so, sorry!
THAT IS ALL.
Thank you for your time.
Haha- did this edit just come up as a new item in a news feed? If so, sorry!
Wednesday, April 29, 2009
On Science and TV
TV and science have a rocky relationship. They love each other, but they don't really understand each other. Or rather, TV loves science with zero understanding of how it functions, much like the unworldly spinster and one Mr. Liberace. Oh sure, he's sparkly and glamorous, talented and good to his mother, but ladies: he's gay and he's passed on; he can never love you back and you are never going to have a little cottage together on the beach in Malibu. TV sits up at night drawing hearts around pictures of beakers and diagrams of atoms. It writes Mrs. T. V. Science on all its peechees in elaborate cursive.
But I digress... TV shows seem invariably drawn towards the scientific, and to my way of thinking, they are better when they recognize and accept that their love can never be and just shrug it off with a "yeah, but what if..." and a wistful smile. For example:
These programs accept that they are entertainment. People don't watch Firefly to learn how spaceships fly; they watch because it's awesome. They don't watch Law & Order because they want a lesson on Watson and Crick; they want a police procedural. (Don't worry, I'm getting to CSI: Branson.)
What was great about the X-Files, I have come to realize, was that half the time Mulder just shrugged and grinned his goofy half-grin at whomever he was with, as if to say, "I know, right? Crazy times!" The other half of the time Mulder burst into a room, shouting, "Scully! I have an insane conspiracy theory about alien technologies or something!" And Scully would do an awesome Leela impression ("Oh lord, he's made of wood"), her hand on her brow as she looked at the floor, gathering strength to soldier on.
One of my favorite scenes in Star Trek was in one of the movies, the one where they travel back in time, and the doctor is in a hospital. He passes a guy on a stretcher, checks his chart while he surreptitiously scans him. When he looks at the chart and his tricorder or whathaveyou, you exclaims, "My god, the barbarians!" because they're going to remove the patient's kidney or something. I think he says, "I can cure him!" and zaps him with his Future Technology and like magic, er, I mean, science, the man is cured! Yay! No one pauses to explain how it theoretically works. It's a grey box. It has a red light and a touch screen. It makes noises. You point it at a guy and push the screen to make the noises and it fixes the guy. SCIENCE!
But not everyone is the cool girl at the party who just kind of hangs by the tin tub full of melting ice and light beer looking awesome in her skinny jeans and old concert t-shirt saying, "What's up" to everyone who passes by, laughing at jokes, just, like, being cool. Someone has to be the over-eager girl at the front door putting everyone's jacket on the bed in the guest room, laughing too loudly so everyone knows she's having a good time, doing one shot after much preamble and immediately vomiting into the kitchen garbage can. That girl is the show whose entire season I recently watched on Hulu. That girl is Fringe. Fringe has carefully coordinated her headband, belt and socks without noticing that she is a bald double-amputee in sansabelt pants. Fringe practices opening conversational salvos in the mirror before going out only to overwhelm strangers with stories about her dead cat ("ohmygodMittensItwassosad") told in a rushed, overloud voice. You can't dislike her because she's trying so hard. But the closest you can get to liking her is pity, and that makes you feel kind of icky.
Fringe spends about a quarter of each episode providing "plausible" explanations for how its "science" works. This is a terrible mistake because it's all so easy to understand and therefore feels, well, unscientific. (On a related note: part of how ER sounds authentic to the layman is the amount of jargon they use in the "medical" parts of the show. You're not meant to understand it. You're supposed to just let it wash over you, a wave of medicalese to set the mood.) Fringe insists on explaining things in words I know, which really takes away from the authenticity (for lack of a better word) because I'm pretty sure I don't understand advanced genetics, biochemistry and physics.
In a recent episode, one of the characters asks, "Tell me: did the creature have the arms of a tiger, the body of a scorpion and the tail of a rattlesnake?" He later exclaims, "Bat DNA! Of course! That was the missing ingredient." Um, right. I know they're going to glibness-in-the-face-of-incredible-weirdness as their attempt at The Cool Girl, but it just comes off like a poor imitation. (Oh Lord, she's put on her Osmunds t-shirt.) Fringe would be so much better if it took a page from the X-Files and used that time for character development and to generate an atmosphere. J J Abrams: more shrugging, less fakey science.
The sad thing is, like CSI: Frankfort, Explaining The Science is part of the salespitch. The difference is that CSI: knows what its audience wants, namely ballistic gel and mood lighting. I don't get the impression that it thinks its a great police procedural ("Yes, let the CSIs make the arrest! They're all armed and go in for busts all the time!") or even much of a mystery show ("Huh, you say he was holding the gun and confessed to firing it? I dunno guys, sounds like a real poser!"). It is a showcase for Future Technology and lighting design and it seems happy with that. (CSI: Miami, of course, is a showcase for David Caruso's mad standing-at-an-angle skills and Khandi Alexander's awesome cleavage, if little else. Personally, I can't watch either show and I refuse to acknowledge the existence of NCIS and CIS: Big Apple. But that is neither here nor there.)
Fringe doesn't seem to know what its audience wants. Sometimes it thinks the viewer wants to know how the actual molecular reactions work. But then it gets bored (and also, it doesn't know what it's talking about anyway) and so then it thinks the viewer wants Action. There is a flurry of activity where people can travel across the country in a single hour, where there is always interagency cooperation and no one ever asks the protagonist about her crazy diction (what is up with Anna Torv's accent?). No, no, the people want to see monsters! Enter the bad CGI... Now maybe a love interest? No, no they're just friends. (Another digression: there was one moment between Anna Torv and Joshua Jackson, of Dawson's Creek fame, where, to comfort her -as a friend, mind you- he reaches out cups her face in hand, running his fingers into her hair and then drawing her to him to hold her while she weeps (? I don't know-maybe she was just sleepy). I tried to imagine one of my friends doing this and all I could see was a Craft Night gone horribly, hilariously wrong. I tried to imagine two friends of the same gender touching each other like that. Nope: that move is for lovers only, guys.
But back to the science thing. I'm really kind of disappointed. How is it possible that writers and TV producers don't get that you don't have to explain every goddamn thing?
But I digress... TV shows seem invariably drawn towards the scientific, and to my way of thinking, they are better when they recognize and accept that their love can never be and just shrug it off with a "yeah, but what if..." and a wistful smile. For example:
Star Trek.
How does warp speed work?
Crystals. It's science!
The X-Files.
How come things are unexplained in the world and mysterious?
Aliens. It's science!
(What's with the weird guy who ate you and then barfed you into an underground man-mould?
Uh, Indian folk magic? Look, we're just enjoying ourselves here.)
Heroes. (Okay- I only saw season 1. Maybe they have fucked it up. I don't know.)
What's with the super powers?
What do you want from us- they're super powers.
Star Wars & Firefly.
So, spaceships, eh? Laser guns? Chinese and English in the same sentence?
Time out of mind! The distant past, the distant future and far far away.
Law & Order.
Forensics, that's got beakers and stuff, right?
We're only civil servants! It takes weeks, nay, months!, to get results on this stuff. We don't need to understand it, we just need to do our due diligence. Hey- look at that shouty guy over there!
These programs accept that they are entertainment. People don't watch Firefly to learn how spaceships fly; they watch because it's awesome. They don't watch Law & Order because they want a lesson on Watson and Crick; they want a police procedural. (Don't worry, I'm getting to CSI: Branson.)
What was great about the X-Files, I have come to realize, was that half the time Mulder just shrugged and grinned his goofy half-grin at whomever he was with, as if to say, "I know, right? Crazy times!" The other half of the time Mulder burst into a room, shouting, "Scully! I have an insane conspiracy theory about alien technologies or something!" And Scully would do an awesome Leela impression ("Oh lord, he's made of wood"), her hand on her brow as she looked at the floor, gathering strength to soldier on.
One of my favorite scenes in Star Trek was in one of the movies, the one where they travel back in time, and the doctor is in a hospital. He passes a guy on a stretcher, checks his chart while he surreptitiously scans him. When he looks at the chart and his tricorder or whathaveyou, you exclaims, "My god, the barbarians!" because they're going to remove the patient's kidney or something. I think he says, "I can cure him!" and zaps him with his Future Technology and like magic, er, I mean, science, the man is cured! Yay! No one pauses to explain how it theoretically works. It's a grey box. It has a red light and a touch screen. It makes noises. You point it at a guy and push the screen to make the noises and it fixes the guy. SCIENCE!
But not everyone is the cool girl at the party who just kind of hangs by the tin tub full of melting ice and light beer looking awesome in her skinny jeans and old concert t-shirt saying, "What's up" to everyone who passes by, laughing at jokes, just, like, being cool. Someone has to be the over-eager girl at the front door putting everyone's jacket on the bed in the guest room, laughing too loudly so everyone knows she's having a good time, doing one shot after much preamble and immediately vomiting into the kitchen garbage can. That girl is the show whose entire season I recently watched on Hulu. That girl is Fringe. Fringe has carefully coordinated her headband, belt and socks without noticing that she is a bald double-amputee in sansabelt pants. Fringe practices opening conversational salvos in the mirror before going out only to overwhelm strangers with stories about her dead cat ("ohmygodMittensItwassosad") told in a rushed, overloud voice. You can't dislike her because she's trying so hard. But the closest you can get to liking her is pity, and that makes you feel kind of icky.
Fringe spends about a quarter of each episode providing "plausible" explanations for how its "science" works. This is a terrible mistake because it's all so easy to understand and therefore feels, well, unscientific. (On a related note: part of how ER sounds authentic to the layman is the amount of jargon they use in the "medical" parts of the show. You're not meant to understand it. You're supposed to just let it wash over you, a wave of medicalese to set the mood.) Fringe insists on explaining things in words I know, which really takes away from the authenticity (for lack of a better word) because I'm pretty sure I don't understand advanced genetics, biochemistry and physics.
In a recent episode, one of the characters asks, "Tell me: did the creature have the arms of a tiger, the body of a scorpion and the tail of a rattlesnake?" He later exclaims, "Bat DNA! Of course! That was the missing ingredient." Um, right. I know they're going to glibness-in-the-face-of-incredible-weirdness as their attempt at The Cool Girl, but it just comes off like a poor imitation. (Oh Lord, she's put on her Osmunds t-shirt.) Fringe would be so much better if it took a page from the X-Files and used that time for character development and to generate an atmosphere. J J Abrams: more shrugging, less fakey science.
The sad thing is, like CSI: Frankfort, Explaining The Science is part of the salespitch. The difference is that CSI: knows what its audience wants, namely ballistic gel and mood lighting. I don't get the impression that it thinks its a great police procedural ("Yes, let the CSIs make the arrest! They're all armed and go in for busts all the time!") or even much of a mystery show ("Huh, you say he was holding the gun and confessed to firing it? I dunno guys, sounds like a real poser!"). It is a showcase for Future Technology and lighting design and it seems happy with that. (CSI: Miami, of course, is a showcase for David Caruso's mad standing-at-an-angle skills and Khandi Alexander's awesome cleavage, if little else. Personally, I can't watch either show and I refuse to acknowledge the existence of NCIS and CIS: Big Apple. But that is neither here nor there.)
Fringe doesn't seem to know what its audience wants. Sometimes it thinks the viewer wants to know how the actual molecular reactions work. But then it gets bored (and also, it doesn't know what it's talking about anyway) and so then it thinks the viewer wants Action. There is a flurry of activity where people can travel across the country in a single hour, where there is always interagency cooperation and no one ever asks the protagonist about her crazy diction (what is up with Anna Torv's accent?). No, no, the people want to see monsters! Enter the bad CGI... Now maybe a love interest? No, no they're just friends. (Another digression: there was one moment between Anna Torv and Joshua Jackson, of Dawson's Creek fame, where, to comfort her -as a friend, mind you- he reaches out cups her face in hand, running his fingers into her hair and then drawing her to him to hold her while she weeps (? I don't know-maybe she was just sleepy). I tried to imagine one of my friends doing this and all I could see was a Craft Night gone horribly, hilariously wrong. I tried to imagine two friends of the same gender touching each other like that. Nope: that move is for lovers only, guys.
But back to the science thing. I'm really kind of disappointed. How is it possible that writers and TV producers don't get that you don't have to explain every goddamn thing?
Star Trek, how do your transporters work?Is it to make up for not having enough plot? For having wooden actors? (Or in Joshua Jackson's case, actors who somehow manage to make bedroom eyes in every scene regardless of what's going on.) Does Fringe think its "science" gives it a veneer of legitimacy? Because it's like calling a ratty old Osmunds t-shirt "My Rock'n'Roll Shirt." I don't think Fringe could be saved from being so-so at best even with a She's All That nerd-to-hot-chick makeover. (And not just because the "nerd" in that scenario was acutally a hot chick with glasses and a pony tail.) I keep watching it because I don't really have to pay attention, so I can knit at the same time, and I can watch it on my computer when Pete is watching endless basketball. And I don't find it unbearable. I mean, it's not Two and a Half Men or anything. But good lord it makes the tiny, atrophied fraction of my brain that was been devoted to studies loosely labeled "science" cringe.
They break you down into your constituent parts and then reassemble you somewhere else.
No, really: how do they work?
It's future science! Just climb right in- it's awesome and it works every time, except for that time we beamed Spock half way into a rock and Bones had to build him a bionic ass. But that at least was funny!
Fringe, how does teleportation work?
Well, you see, you break the object or person down into is constituent parts and then reassemble it somewhere else. There is this ring-thingy that you have to build on the receiving end of the process, but not on the starting end. Did we mention this is advanced Quantum Physics? Yeah, it totally is. Real bleeding edge. But the object being teleported gets a large dose of radiation, so if it's a person, they better wear gloves and sunscreen!
No, really: how... wait, what? Sunscreen protects you from radiation when you're broken down into a bunch of molecules? That doesn't make sense!
Uh oh... Cheese it!
Friday, April 24, 2009
Sydney* Makes Things Up About Rebecca Haarlow (8)
Rebecca Haarlow totally cares what Pete thinks.
*And by "Sydney", tonight we mean "Joe."
*And by "Sydney", tonight we mean "Joe."
Pete's favorite video game
Mermortal Kombat: Undersea Alliance. His favorite character was Merscorpion. He knew all the fatalities ("Out of Water," "Shark Bite") and all the rad moves. I mean, merfatalities.
Sunday, March 29, 2009
Auld Lang Syne
This weekend we had dinner with a group of people assembled to see a friend as he blew through town on his way from Seattle back down to LA. As usual, we were happy to meet the friends of our friends and had a great time. Which, of course, we knew we would because of the email exchange that occurred in setting up the date, in which everyone was quite amiable. When we arrived at the appointed meeting place and were parking, Pete says (mid-parallel park, because he's so cool he can parallel and make observations at the same time), "Hey, that guy looks like B." And indeed he did.
Perhaps I did not start far enough back. Okay then, background. Pete and I met the first week of college in a freshman seminar on the Spanish Civil War. On the first day of class, there were 10 students. By the third week, I think there were 5, only 4 of whom remained at the end. Those 4 people were me, Pete, B. and a Czech girl, S. Now somewhere, lodged deep in the recesses of my memory, I knew that B. had lived in the same dorm as some of our friends, which struck me as rather small world at the time. But I had pretty much completely forgotten this piece of information and had not thought about it since.
We got out of the car and walked over to the group and sure enough, here is this guy that we haven't seen in 9 years, with whom we spent 1o weeks in a rather intense class (at least the professor was very intense)... and his 1-year old daughter. To date, I had not yet met the offspring of anyone I went to school with. I know people have had kids, but I have been terrible about getting around to meet them. Add to this the surprise that Pete recognized B. at a distance... Pete never recognizes people!
I spent a good portion of the evening chatting with B. and his wife, J., and watching them with their daughter. I feel like I frequently read about people running into old acquaintances and being envious of what they've done with their lives, or saddened, or bored, and that it really makes them reflect on their own lives and goals. But I can't think of many instances where people run into old acquaintances and are just really happy for them and how well things have turned out for them. (Probably because it's not a very dynamic position and doesn't really provide any insight into the characters.) But that is just how I felt chatting with B. after all these years. He and his wife appear to be really happy together, from what we saw he's a great dad, and he just seemed kind of quietly self-confident. And that little girl... oh man was she cute! And happy. She didn't cry, she didn't fuss. She was just happy the whole evening. It is my observation that children with really good parents are often happy with strangers and not fussy. She knew that whatever she needed, she'd get it.
(Minor Digression on Good Parenting from Someone Who Doesn't Have Kids But Does Have a Lot of Opinions: what really impressed me was how J. and B. gave their daughter plenty of freedom to make her own choices without ever taking their eyes off her. For example, whenever she started to toddle off down the street, B. would call, "Where are you going? Bye bye! Bye bye!" and she'd usually turn around with a big grin and toddle on back. When she didn't turn around on her own, he was at her side in about three strides, guiding her back to the group. She got to feel autonomous, pattering about on her own two little legs and he made sure she was never in any danger without being a helicopter parent.)
My point here is not to make anyone's ears burn or anything. More that our culture seems to worry quite a lot about what people will think of us in the future. We stress about reunions and running into old friends with whom we've lost touch. I know people who keep their Facebook page completely hidden to everyone they don't personally friend because they don't want anyone they used to know to find them. At least in one instance because they are certain that those people have not changed at all and they don't want to have to listen to the same old BS they suffered through in high school (over 15 years ago).
In my experience, though, running into people I haven't seem in 10 years is almost always a good thing. There are people at Craft Night where I can't believe we didn't hang out in high school and I totally regret letting 10 years go by without getting together. There are people I've only seen or talked to once in the last decade, but who have made incredible transformations out of bad situations. It is interesting to me that if my experience is unremarkable, those stories may be the most common, are taken for granted and therefore never make it into popular narrative. (Or perhaps I should say "the popular narrative", as in, the narrative constructed by popular culture as a whole.) And because the popular narrative spends so much time stressing over the less common bad reunion where everyone is better than you or no one has changed, that is the popular motif.
Questions: Is it your experience that running into old friends or acquaintances is generally a negative experience? Is it anything you ever give any thought to? Do you look forward to your next reunion? Do you keep your Facebook page hidden because you're pretty sure everyone is still an idiot (okay- that's probably true; I know I still am) or is it more for professional considerations? Does MySpace make you feel epileptic? (Off topic, yes, but still a valid question. My answer is: yes, yes it does.) Have you ever looked at someone's Facebook or MySpace page and been sad for them? (I have only had that happen with MySpace and never with someone I know.)
You thoughts: I want them!
Perhaps I did not start far enough back. Okay then, background. Pete and I met the first week of college in a freshman seminar on the Spanish Civil War. On the first day of class, there were 10 students. By the third week, I think there were 5, only 4 of whom remained at the end. Those 4 people were me, Pete, B. and a Czech girl, S. Now somewhere, lodged deep in the recesses of my memory, I knew that B. had lived in the same dorm as some of our friends, which struck me as rather small world at the time. But I had pretty much completely forgotten this piece of information and had not thought about it since.
We got out of the car and walked over to the group and sure enough, here is this guy that we haven't seen in 9 years, with whom we spent 1o weeks in a rather intense class (at least the professor was very intense)... and his 1-year old daughter. To date, I had not yet met the offspring of anyone I went to school with. I know people have had kids, but I have been terrible about getting around to meet them. Add to this the surprise that Pete recognized B. at a distance... Pete never recognizes people!
I spent a good portion of the evening chatting with B. and his wife, J., and watching them with their daughter. I feel like I frequently read about people running into old acquaintances and being envious of what they've done with their lives, or saddened, or bored, and that it really makes them reflect on their own lives and goals. But I can't think of many instances where people run into old acquaintances and are just really happy for them and how well things have turned out for them. (Probably because it's not a very dynamic position and doesn't really provide any insight into the characters.) But that is just how I felt chatting with B. after all these years. He and his wife appear to be really happy together, from what we saw he's a great dad, and he just seemed kind of quietly self-confident. And that little girl... oh man was she cute! And happy. She didn't cry, she didn't fuss. She was just happy the whole evening. It is my observation that children with really good parents are often happy with strangers and not fussy. She knew that whatever she needed, she'd get it.
(Minor Digression on Good Parenting from Someone Who Doesn't Have Kids But Does Have a Lot of Opinions: what really impressed me was how J. and B. gave their daughter plenty of freedom to make her own choices without ever taking their eyes off her. For example, whenever she started to toddle off down the street, B. would call, "Where are you going? Bye bye! Bye bye!" and she'd usually turn around with a big grin and toddle on back. When she didn't turn around on her own, he was at her side in about three strides, guiding her back to the group. She got to feel autonomous, pattering about on her own two little legs and he made sure she was never in any danger without being a helicopter parent.)
My point here is not to make anyone's ears burn or anything. More that our culture seems to worry quite a lot about what people will think of us in the future. We stress about reunions and running into old friends with whom we've lost touch. I know people who keep their Facebook page completely hidden to everyone they don't personally friend because they don't want anyone they used to know to find them. At least in one instance because they are certain that those people have not changed at all and they don't want to have to listen to the same old BS they suffered through in high school (over 15 years ago).
In my experience, though, running into people I haven't seem in 10 years is almost always a good thing. There are people at Craft Night where I can't believe we didn't hang out in high school and I totally regret letting 10 years go by without getting together. There are people I've only seen or talked to once in the last decade, but who have made incredible transformations out of bad situations. It is interesting to me that if my experience is unremarkable, those stories may be the most common, are taken for granted and therefore never make it into popular narrative. (Or perhaps I should say "the popular narrative", as in, the narrative constructed by popular culture as a whole.) And because the popular narrative spends so much time stressing over the less common bad reunion where everyone is better than you or no one has changed, that is the popular motif.
Questions: Is it your experience that running into old friends or acquaintances is generally a negative experience? Is it anything you ever give any thought to? Do you look forward to your next reunion? Do you keep your Facebook page hidden because you're pretty sure everyone is still an idiot (okay- that's probably true; I know I still am) or is it more for professional considerations? Does MySpace make you feel epileptic? (Off topic, yes, but still a valid question. My answer is: yes, yes it does.) Have you ever looked at someone's Facebook or MySpace page and been sad for them? (I have only had that happen with MySpace and never with someone I know.)
You thoughts: I want them!
Sunday, March 08, 2009
Quick Knits
I usually don't blog about knitting because I assume most of the ten or fewer people who may or may not read this would not be interested. Also, it is good to not let one part of your life take over all parts of your life. But I have finally found the perfect baby shower gift that is handmade, not too expensive, can be done in five days (if you can knit for 5-7 hours on each of the first three) and is not a hat. Erika Knight's Classic Cashmere Sweater from Simple Knits for Cherished Babies took me literally three days to knit. Today I will block it and tomorrow I will sew it up. If I had been smart and bought the ribbon for the ties in back when I bought the yarn, I would do that tomorrow too, but that will have to wait until I can make it to the fabric store.
It's a neat pattern that has you knit the sweater all as one piece. The only seams will be at the sides.
You start at the bottom front and knit up to where you cast on extra stitches from the sleeves. I used the single loop cast-on from the Knitter's Handbook, at least I think that's what the cast-on is called. It's the loosest or second loosest option, which seemed important. I don't think you want baby knits to be too restrictive, and very firm cast-ons and bind-offs lead to stiff seams.
Once you get to the neck opening, you knit each side individually. But you don't have to dump the stitches for the other side anywhere; they can just hang out on the end of one of the needles until it's their turn. To me, that makes this pattern psychologically easier and faster. You need no special equipment, just yarn and a single set of needles*. When both sides of the neck opening are complete, you knit across all stitches again, binding-off the arms when wide enough, and suddenly you're done. I found the pattern to be well written and easy to use. It has little hints at the beginning and in the text describing the pictures that have to be integrated as you see fit. For example, the hints suggest slipping a stitch at the beginning of each row of the sleeves so that when they're folded back there will be a nice little detail at the cuff, but the the pattern doesn't say, "Sl1, K to end; Sl1 P to end." It just says "continue in straight stitch until x inches long."
I used RYC Cashcotton DK for this, in colorway Fresh. It's a mix of cotton, microfiber, angora and cashmere, so it pretty much feels like the squishiest, nicest thing ever under your fingers. The pattern calls for three skeins and I bought four with the intention of making a little hat to go with it. So far I have used one and a half skeins, so I think I will make little booties too. Conventional wisdom with baby knits is that they should be machine-washable, and I typically agree with this. However, I think there's some wiggle room for newborns, as they won't be able to wear it for very long before it's too small, so a handful of hand-washings is probably not too onerous, if the knit is nice enough to warrant the trouble. And trust me: this yarn warrants any trouble you care to take. It's that amazing.
*Of course, I consider a crochet hook for weaving in ends, an embroidery needle for sewing up and scissors to be the essentially, taken-for-granted tools of every knitted item. That should go without saying.
It's a neat pattern that has you knit the sweater all as one piece. The only seams will be at the sides.
Once you get to the neck opening, you knit each side individually. But you don't have to dump the stitches for the other side anywhere; they can just hang out on the end of one of the needles until it's their turn. To me, that makes this pattern psychologically easier and faster. You need no special equipment, just yarn and a single set of needles*. When both sides of the neck opening are complete, you knit across all stitches again, binding-off the arms when wide enough, and suddenly you're done. I found the pattern to be well written and easy to use. It has little hints at the beginning and in the text describing the pictures that have to be integrated as you see fit. For example, the hints suggest slipping a stitch at the beginning of each row of the sleeves so that when they're folded back there will be a nice little detail at the cuff, but the the pattern doesn't say, "Sl1, K to end; Sl1 P to end." It just says "continue in straight stitch until x inches long."
I used RYC Cashcotton DK for this, in colorway Fresh. It's a mix of cotton, microfiber, angora and cashmere, so it pretty much feels like the squishiest, nicest thing ever under your fingers. The pattern calls for three skeins and I bought four with the intention of making a little hat to go with it. So far I have used one and a half skeins, so I think I will make little booties too. Conventional wisdom with baby knits is that they should be machine-washable, and I typically agree with this. However, I think there's some wiggle room for newborns, as they won't be able to wear it for very long before it's too small, so a handful of hand-washings is probably not too onerous, if the knit is nice enough to warrant the trouble. And trust me: this yarn warrants any trouble you care to take. It's that amazing.
*Of course, I consider a crochet hook for weaving in ends, an embroidery needle for sewing up and scissors to be the essentially, taken-for-granted tools of every knitted item. That should go without saying.
Labels:
baby gift,
Classic Cashmere Sweater,
Erika Knight,
knitting,
quick knits
Thursday, March 05, 2009
Unenchanted
While Pete watched the Blazer game on TNT (with its unlistenable commentators), I subjected myself to a little piece of probable masochism and watched "Enchanted" streaming on Netflix. They couldn't perform enough of those songs at last year's Oscars and I've always kind of wondered what all the fuss was about. My expectations were very, very low. And you know: it wasn't a total and complete waste of my time. It was mostly a waste of my time, but Patrick Dempsey's irritated rejoinders made much of the movie almost bearable. And I liked the little post-feminist twist at the end; very cute.
What surprised me was how empty I felt once it was over. I have ranted in the past, out loud if not in this blog, about how much I hate the unrealistic standard set by romantic comedies for what love and relationships are supposed to be like. There's so much focus on "happily ever after" that girls who grow up watching too much of that dreck are woefully unprepared for the quotidian realities of a real, long-term relationship.
AN ASIDE: I feel I should offer the following disclaimer before going any further: I am one of those irritating people who is happiest doing the most mundane relationship/household things. I love going to the grocery store, I love long days in and out of the car running errands, I love chatting in the kitchen while I make dinner and Pete does the dishes... And I also had the nerve to marry my best friend, so we genuinely get along and enjoy each other's company.
SO... why do people usually watch romantic comedies? Because they like the sensation of vicariously falling in love. Now the whole deal with "Enchanted" is that it's supposed to put the lie to the fairy tale "happily ever after"- that given a dose of reality, even an animated fairy princess would realize you can't base a lifetime of "happily ever after" on a single duet and a mutual attraction. But it's still a romantic comedy, so the princess in question (named Gisele) has to fall in love. And she does. With real world New York divorce lawyer Dempsey. And it's very cute: she forms an attachment with his daughter and we find that she is less worldly than a six year old. Predictable, but not over done. So that's something.
ANOTHER ASIDE: One thing I did like is in the beginning, when Dempsey decides to let this strange woman sleep on his sofa - mostly because she's already asleep - he tells his daughter he wants her to sleep in his room that night. (Oh, keep your gross nonsense to yourselves, you guys!) It's exactly the kind of thing a real parent would do: protect their child. And mostly movies don't bother with stuff like that because they're too worried about how it would look that a grown man is telling a six year old to sleep in his room. And of course they would trust the trustworthy stranger! Why not? Also: the very first scene where we meet Dempsey's daughter, he's picking her up from Karate and gives her a book on great women, like Marie Curie and Rosa Parks. My feminism's all a tingle! Bravo, "Enchanted;" you did two things that were both surprising and charming.
ANYWAY... Because "Enchanted" makes it so abundantly clear that the "ever after" part is a long time and "happily" is going to take some time and consideration even if you do fall in love at first sight, I was surprised that it so closely followed the usual story arc for a romantic comedy. The big climax is that she falls in love with him, and "ever after" is glossed over in a "dancing around the apartment as a family" montage as the credits begin to roll. I wish that it had condensed the current plot down to 30-40 minutes and then spent an hour showing us how that relationship works.
I mean, this woman made me think of the first verse of Ben Fold's Five's "Kate": "She plays wipe out on the drums / The squirrels and the birds come / Gather 'round to sing the guitar." I mean, she called all the rats and pigeons in New York to clean a dirty apartment... with song. (And yes, the singing is very, very annoying. VERY ANNOYING.) How long is her unworldliness appealing? How do they get her a social security number? How did she start her little clothing business? And did she steal it from Dempsey's former girlfriend who accompanies the prince back to fantasy land? There are so many questions! It could have been a kind of brilliant surrealist mystery- the detective or IRS man nosing around the apartment, assuming her dress company is a money laundering front. Her saying, "I bested the evil Queen of Andalusia or wherever I claim to be from: I think I can handle the IRS." Cut to Gisele sitting in a little office in a bland government building, drooling with boredom, muttering "You're the evilest queen!" before passing out. Then the IRS man hates her because he thinks she's anti-gay! Hilarity ensues!
Okay, so that last bit was a terrible idea. I can own that. My point is, I really wanted to see what life was like for a pragmatic, cosmopolitan divorce attorney and single parent who (ostensibly) marries (and certainly at least moves in with) a magical virgin with all the wide-eyed optimism and sophistication of a small child. I wanted to see how she did as a parent; did the little girl ever get to be a little girl, or did she have to keep giving her step-mom advice, like, "don't wear too much make-up or you'll look like a slut." (That is really a piece of advice she gives Gisele in the movie, though not in those exact words.)
What surprised me was how empty I felt once it was over. I have ranted in the past, out loud if not in this blog, about how much I hate the unrealistic standard set by romantic comedies for what love and relationships are supposed to be like. There's so much focus on "happily ever after" that girls who grow up watching too much of that dreck are woefully unprepared for the quotidian realities of a real, long-term relationship.
AN ASIDE: I feel I should offer the following disclaimer before going any further: I am one of those irritating people who is happiest doing the most mundane relationship/household things. I love going to the grocery store, I love long days in and out of the car running errands, I love chatting in the kitchen while I make dinner and Pete does the dishes... And I also had the nerve to marry my best friend, so we genuinely get along and enjoy each other's company.
SO... why do people usually watch romantic comedies? Because they like the sensation of vicariously falling in love. Now the whole deal with "Enchanted" is that it's supposed to put the lie to the fairy tale "happily ever after"- that given a dose of reality, even an animated fairy princess would realize you can't base a lifetime of "happily ever after" on a single duet and a mutual attraction. But it's still a romantic comedy, so the princess in question (named Gisele) has to fall in love. And she does. With real world New York divorce lawyer Dempsey. And it's very cute: she forms an attachment with his daughter and we find that she is less worldly than a six year old. Predictable, but not over done. So that's something.
ANOTHER ASIDE: One thing I did like is in the beginning, when Dempsey decides to let this strange woman sleep on his sofa - mostly because she's already asleep - he tells his daughter he wants her to sleep in his room that night. (Oh, keep your gross nonsense to yourselves, you guys!) It's exactly the kind of thing a real parent would do: protect their child. And mostly movies don't bother with stuff like that because they're too worried about how it would look that a grown man is telling a six year old to sleep in his room. And of course they would trust the trustworthy stranger! Why not? Also: the very first scene where we meet Dempsey's daughter, he's picking her up from Karate and gives her a book on great women, like Marie Curie and Rosa Parks. My feminism's all a tingle! Bravo, "Enchanted;" you did two things that were both surprising and charming.
ANYWAY... Because "Enchanted" makes it so abundantly clear that the "ever after" part is a long time and "happily" is going to take some time and consideration even if you do fall in love at first sight, I was surprised that it so closely followed the usual story arc for a romantic comedy. The big climax is that she falls in love with him, and "ever after" is glossed over in a "dancing around the apartment as a family" montage as the credits begin to roll. I wish that it had condensed the current plot down to 30-40 minutes and then spent an hour showing us how that relationship works.
I mean, this woman made me think of the first verse of Ben Fold's Five's "Kate": "She plays wipe out on the drums / The squirrels and the birds come / Gather 'round to sing the guitar." I mean, she called all the rats and pigeons in New York to clean a dirty apartment... with song. (And yes, the singing is very, very annoying. VERY ANNOYING.) How long is her unworldliness appealing? How do they get her a social security number? How did she start her little clothing business? And did she steal it from Dempsey's former girlfriend who accompanies the prince back to fantasy land? There are so many questions! It could have been a kind of brilliant surrealist mystery- the detective or IRS man nosing around the apartment, assuming her dress company is a money laundering front. Her saying, "I bested the evil Queen of Andalusia or wherever I claim to be from: I think I can handle the IRS." Cut to Gisele sitting in a little office in a bland government building, drooling with boredom, muttering "You're the evilest queen!" before passing out. Then the IRS man hates her because he thinks she's anti-gay! Hilarity ensues!
Okay, so that last bit was a terrible idea. I can own that. My point is, I really wanted to see what life was like for a pragmatic, cosmopolitan divorce attorney and single parent who (ostensibly) marries (and certainly at least moves in with) a magical virgin with all the wide-eyed optimism and sophistication of a small child. I wanted to see how she did as a parent; did the little girl ever get to be a little girl, or did she have to keep giving her step-mom advice, like, "don't wear too much make-up or you'll look like a slut." (That is really a piece of advice she gives Gisele in the movie, though not in those exact words.)
Labels:
enchanted,
feeling empty,
movies,
romance,
true love
Wednesday, March 04, 2009
Sydney Makes Things Up About Rebecca Haarlow (7)
Rebecca Haarlow penned a screenplay for "Undercover Blues 2: Son of Muerte" that was never made due to Stanley Tucci's belief that audiences would not buy a complicated backstory involving the characters played by himself, Park Overall and Dave Chappelle.
Sunday, March 01, 2009
Sydney Makes Things Up About Rebecca Haarlow (6)
Rebecca Haarlow owns a variety of wigs and false moustaches for the purpose of starting waves at the various sporting events she covers.
Friday, February 27, 2009
News from early 80s Portland maybe!
Ken Jennings is trying to start a meme and it's kind of a neat idea. What are the first five news events you remember as a kid and how old were you? I'm trying to figure out how I would even begin to determine this. I vividly remember watching the Challenger shuttle explode (1/28/86, 5 years 2 months). I think I remember Mary Lou Retton in the 1984 Olympics (7-8/84, 3 years 8-9 months), but it's so hard to parse out what's cultural detritus from growing up with a TV and what's an actual memory. I will think about this and see what else I come up with. I kind of think the only way to do it, though, is to look at a list of events from those years and see if anything rings a bell. But is that cheating?
Thursday, February 26, 2009
Answer Me This
How did Steven Seagal become... Who thought that he was a.... What... Wh... ...How do his movies get made?! He's terrible! The "action" is awful! I'm watching this thing Pete has on and I'm asking myself: To whom is he even a hero in this? Rageaholics? Workaholics? Good ol' boys? Wannabe cops? I simply don't understand how this man has a career.
Pete said he's watching it for the moment when the female lead realizes she's going to have to kiss him at some point. I said I'm watching for the moment when she realizes that she's in a Steven Seagal movie. Then we saw... Tom Arnold. I said, "I bet he already knows he's in a Steven Seagal movie." Pete said, "At this point in his career, Steven Seagal may be wondering how he ended up in a Tom Arnold movie."
Pete said he's watching it for the moment when the female lead realizes she's going to have to kiss him at some point. I said I'm watching for the moment when she realizes that she's in a Steven Seagal movie. Then we saw... Tom Arnold. I said, "I bet he already knows he's in a Steven Seagal movie." Pete said, "At this point in his career, Steven Seagal may be wondering how he ended up in a Tom Arnold movie."
Tuesday, February 24, 2009
Sydney Makes Things Up About Rebecca Haarlow (5)
Every year Rebecca Haarlow officiates the secret ski contest between Matt Zaffino and Channing Frye on January 26, in honor of Australia Day.
Tuesday, February 10, 2009
Elitist Coffees for Douchebags
Have you seen the new McDonald's ads for their "gourmet" coffee drinks? I cannot believe that this works for them. On any level. I think what they're going for is "Cappuccino is an elitist, snob drink that we're bringing to the people," but what they're actually saying (in my opinion) is "Cappuccino is an elitist, snob drink and the only people who would ever drink it are elitist douchebags, but once McDonald's serves it, you'll see, the snobbiness is all a put on because secretly everybody wants to drink coffee at McDonalds." I just don't understand how this is an ad campaign. "Hey assholes! Come drink our snooty drinks!" And the implication that a soul patch or enjoying books (and yes, even "films", although I might agree with them about berets on adult men) could only ever be a put on, that's just so degrading. To everyone. It tells the average McDonald's customer that they cannot like these things. Come on, McDonalds! Times have changed; there's a new game in town called optomism, respect and pro-book-learnin'. Get on the Obama Train, guys!
PS: I think there are two of these ads, but I couldn't find the other one quickly. I did learn, however, that Kiwis are idiots. McDonald's: why are you insulting your customers so much?
PS: I think there are two of these ads, but I couldn't find the other one quickly. I did learn, however, that Kiwis are idiots. McDonald's: why are you insulting your customers so much?
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